She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair’d the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
Lord Byron’s opening couplet to “She Walks In Beauty” is among the most memorable and most quoted lines in romantic poetry. The opening lines are effortless, graceful, and beautiful, a fitting match for his poem about a woman who possesses effortless grace and beauty.
About the Poem, “She Walks In Beauty”
In June, 1814, several months before he met and married his first wife, Anna Milbanke, Lord
Byron attended a party at Lady Sitwell’s. While at the party, Lord Byron was inspired by the sight of his cousin, the beautiful Mrs. Wilmot, who was wearing a black spangled mourning dress.
According to his friend, James W. Webster, “I did take him to Lady Sitwell’s party in Seymour Road. He there for the first time saw his cousin, the beautiful Mrs. Wilmot.
The poem was published in 1815. Also in that year Lord Byron wrote a number of songs to be set to traditional Jewish tunes by Isaac Nathan. Lord Byron included “She Walks in Beauty” with those poems.
Discussion of the Poem
The first couple of lines can be confusing if not read properly. Too often readers stop at the end of the first line where there is no punctuation. This is an enjambed line, meaning that it continues without pause onto the second line.
The remaining lines of the first verse employ another set of enjambed lines that tell us that her face and eyes combine all that’s best of dark and bright. No mention is made here or elsewhere in the poem of any other physical features of the lady.
The third and fourth lines are not only enjambed, but the fourth line begins with an irregularity in the meter called a metrical substitution. The fourth line starts with an accented syllable followed by an unaccented one, rather than the iambic meter of the other lines, an unaccented syllable followed by an accented one.
The second verse tells us that the glow of the lady’s face is nearly perfect. The shades and rays are in just the right proportion, and because they are, the lady possesses a nameless grace. This conveys the romantic idea that her inner beauty is mirrored by her outer beauty. Her thoughts are serene and sweet. She is pure and dear.
The last verse is split between three lines of physical description and three lines that describe the lady’s moral character. Here soft, calm glow reflects a life of peace and goodness. This is a repetition, an emphasis, of the theme that the lady’s physical beauty is a reflection of her inner beauty.
Lord Byron greatly admired his cousin’s serene qualities on that particular night and he has left us with an inspired poem.
The poem was written shortly before Lord Byron’s marriage to Anna Milbanke and published shortly after the marriage.
Garry Gamber is a public school teacher and entrepreneur. He writes articles about politics, real estate, health and nutrition, and internet dating services. He is the owner of
http://www.anchoragehomes.inetusanow.net/ and http://www.thedatingadvisor.com/.


































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